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Whatcha Gonna Do?
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Whatcha Gonna Do?
Current price: $37.99
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Whatcha Gonna Do?
Current price: $37.99
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The third album that
Peter Green
made after he launched a comeback in the late '70s,
Whatcha Gonna Do?
was a disappointment on several levels. It was a sluggish record, often with something of a going-through-the-motions feel. While
Green
's
blues-rock
guitar chops remained intact, they were executed with less fire, force, and imagination than they had been in his best work. Most disturbingly, there often seemed to be a conscious effort to move
's sound toward mainstream
soul
-
funk
, as well as to add some uncomfortably incorporated
reggae
rhythms. It's an unmemorable album, but for all that, not a terrible one. You can hear
's natural affinity for
R&B
in both his fluid guitar and earthy vocals on some of the better songs, like
"Trying to Hit My Head Against the Wall,"
"Like a Hot Tomato,"
and
"Lost My Love"
(the last of which, like early
Fleetwood Mac
's cover of
Little Willie John
"Need Your Love So Bad,"
makes clear
's overlooked love of sentimental '50s American
/proto-
). These would be quite acceptable from a
journeyman, but
was cursed, perhaps, by the shadow of his greater achievements and by listeners' knowledge that he had been capable of delivering more inspirational goods. ~ Richie Unterberger
Peter Green
made after he launched a comeback in the late '70s,
Whatcha Gonna Do?
was a disappointment on several levels. It was a sluggish record, often with something of a going-through-the-motions feel. While
Green
's
blues-rock
guitar chops remained intact, they were executed with less fire, force, and imagination than they had been in his best work. Most disturbingly, there often seemed to be a conscious effort to move
's sound toward mainstream
soul
-
funk
, as well as to add some uncomfortably incorporated
reggae
rhythms. It's an unmemorable album, but for all that, not a terrible one. You can hear
's natural affinity for
R&B
in both his fluid guitar and earthy vocals on some of the better songs, like
"Trying to Hit My Head Against the Wall,"
"Like a Hot Tomato,"
and
"Lost My Love"
(the last of which, like early
Fleetwood Mac
's cover of
Little Willie John
"Need Your Love So Bad,"
makes clear
's overlooked love of sentimental '50s American
/proto-
). These would be quite acceptable from a
journeyman, but
was cursed, perhaps, by the shadow of his greater achievements and by listeners' knowledge that he had been capable of delivering more inspirational goods. ~ Richie Unterberger
The third album that
Peter Green
made after he launched a comeback in the late '70s,
Whatcha Gonna Do?
was a disappointment on several levels. It was a sluggish record, often with something of a going-through-the-motions feel. While
Green
's
blues-rock
guitar chops remained intact, they were executed with less fire, force, and imagination than they had been in his best work. Most disturbingly, there often seemed to be a conscious effort to move
's sound toward mainstream
soul
-
funk
, as well as to add some uncomfortably incorporated
reggae
rhythms. It's an unmemorable album, but for all that, not a terrible one. You can hear
's natural affinity for
R&B
in both his fluid guitar and earthy vocals on some of the better songs, like
"Trying to Hit My Head Against the Wall,"
"Like a Hot Tomato,"
and
"Lost My Love"
(the last of which, like early
Fleetwood Mac
's cover of
Little Willie John
"Need Your Love So Bad,"
makes clear
's overlooked love of sentimental '50s American
/proto-
). These would be quite acceptable from a
journeyman, but
was cursed, perhaps, by the shadow of his greater achievements and by listeners' knowledge that he had been capable of delivering more inspirational goods. ~ Richie Unterberger
Peter Green
made after he launched a comeback in the late '70s,
Whatcha Gonna Do?
was a disappointment on several levels. It was a sluggish record, often with something of a going-through-the-motions feel. While
Green
's
blues-rock
guitar chops remained intact, they were executed with less fire, force, and imagination than they had been in his best work. Most disturbingly, there often seemed to be a conscious effort to move
's sound toward mainstream
soul
-
funk
, as well as to add some uncomfortably incorporated
reggae
rhythms. It's an unmemorable album, but for all that, not a terrible one. You can hear
's natural affinity for
R&B
in both his fluid guitar and earthy vocals on some of the better songs, like
"Trying to Hit My Head Against the Wall,"
"Like a Hot Tomato,"
and
"Lost My Love"
(the last of which, like early
Fleetwood Mac
's cover of
Little Willie John
"Need Your Love So Bad,"
makes clear
's overlooked love of sentimental '50s American
/proto-
). These would be quite acceptable from a
journeyman, but
was cursed, perhaps, by the shadow of his greater achievements and by listeners' knowledge that he had been capable of delivering more inspirational goods. ~ Richie Unterberger
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