Unbeknown to many of his fans who are only familiar with his work via such films as
Sex Lies & Videotape
and
American Beauty
or his starring role on the TV soap opera
The OC
, actor
Peter Gallagher
has a considerable background in musical theater; in fact, his first movie role was as a wannabe '50s teen idol in
Taylor Hackford
's 1980 cult classic
The Idolmaker
. These musical roots were overshadowed by his success as a film actor in the late '80s and '90s, to the point that only his most devoted fans knew of his skills as a singer. This wound up serving a dramatic purpose on a pivotal episode on the second season of The OC, in 2005, when
Gallagher
's
Sandy Cohen
appeared to forget his 20th wedding anniversary but wound up surprising his wife
Kirsten
with a performance of
Solomon Burke
"Don't Give Up on Me"
at the show's local nightclub. The audience was as surprised as the characters that
Sandy
could actually sing -- which not only made the episode work dramatically, but made
's performance a digital hit, leading to several offers for him to record a full-length album.
wound up signing with
Epic
, headed down to
Ardent Studios
in Memphis, teamed up with some of the city's best musicians (produced by
Michael Mangini
and led by guitarist
Steve Cropper
), and recorded a set of
blue-eyed soul
, comprised largely of
standards
but also featuring a couple of new songs. And like
's performance at the end of that OC episode,
's album
7 Days in Memphis
comes a surprise. Far from being a vanity project, or the awkward attempt of a
show tune
singer to sound soulful, it's a damn good
record, thanks in part to that crackerjack collection of Memphis studio pros, but largely due to
's impassioned, unexpectedly subtle and soulful performance. Instead of sounding polished and affected,
sounds as if he's singing from his heart, bringing his own phrasing to familiar songs and giving these performances some real grit and heart. While he doesn't reinvent warhorses like
"When Something Is Wrong with My Baby,"
"Then You Can Tell Me Goodbye,"
"A Song for You"
-- they're straight up
Memphis soul
, adhering to the trademark
Stax
/
Volt
sound -- he does make them sound fresh, and the newer songs, highlighted by
Lucinda Williams
'
"Still I Long for Your Kiss"
Gary Moore
"Still Got the Blues,"
sit comfortably next to the classics, making this a well-rounded, consistent album. What's most impressive about
is that it doesn't just succeed according to an adjusted grading curve for celebrities: it's very good by any measure, and in a way, it's more impressive that a singer raised on musical theater could make an album this soulful than it is that an actor could make an album this credible. Either way,
is a satisfying, enormously likeable album that will not only surely please anybody who loved hearing
sing, but could also win over skeptics who know little of
or
. ~ Stephen Thomas Erlewine