Think of the one-shot Seattle supergroup
Mad Season
as the grunge version of sober living. Guitarist
Mike McCready
, best known as the main six-string slinger in
Pearl Jam
, met bassist
John Baker Saunders
while in rehab, and the two paired with
Screaming Trees
' drummer
Barrett Martin
and
Alice in Chains
vocalist
Layne Staley
, partially in hopes of steering the singer onto the path of the straight and narrow. Ultimately, the plan didn't pan out, but for a brief while, the quartet -- who adopted the name
-- did have their moment of clarity, captured on the 1995 album
Above
. There was a single issued to modern rock radio -- "River of Deceit" -- but this record downplayed easy hooks and melody in favor of churning introspection and slow vamps that occasionally flirt with blues (the never-ending 12-bar "Artificial Red," balanced by the distorto riffs of "I Don't Everything"), but usually conjure nothing more than the dank sludge of Seattle.
aren't quite mired in the darkest areas of grunge -- they're clever enough to let a saxophonist lend color to "Long Gone Day" -- but the lack of melodicism is a bit of a drag over the long haul, turning
into a bit of heavy mood music. In a sense, it's the id of Seattle run rampant: all the bands involved, outside of
Saunders
'
Walkabouts
Martin
's
Trees
(who were nevertheless considerably more popular than
' group), enjoyed commercial success in 1995, so they could have gotten away with anything and, in a sense, they did, as a major-label actually released this turgid bit of soul-baring heavy rock.
McCready
gets plenty of room for his elliptical guitar, the players has space to dig into their minor-key vamps,
Staley
essays his only set of completely original lyrics, but the whole thing feels kind of inert and indulgent, which may be appropriate for a band treating rock & roll as therapy. [The 2013 Deluxe Edition of
is loaded with bonus material, beginning with four tracks from
's unfinished 1999 album, finally completed with
the Screaming Trees
Mark Lanegan
as lyricist and vocalist.
Lanegan
adds a gravity the otherwise tortured
lacked -- as dynamic a frontman as
Layne
was,
feels made of granite -- and consequently these bonus tracks are little more compelling than the proper album. Elsewhere on the Deluxe Edition lies the entirety of the group's final gig, a performance at the Seattle venue the Moore from April of 1995, captured as both a CD (weighing in at 11 tracks) and a DVD (a seven-cut edit, followed by five bonus tracks). Elsewhere on the DVD are other live performances, including a full concert at RKCNDY and some highlights from
's Self Pollution Radio. These bonus cuts don't change the overall impression of the album, but they do give hardcore fans plenty of rarities to savor.] ~ Stephen Thomas Erlewine