Selected by magazine as an Outstanding Academic Book for 1996 The is a narrative account of a situation in which narration takes place-a collection of one hundred stories set within a larger story. As a group of young men and women fleeing the plague trade stories to pass the time of crisis, storytelling occurs in a social context that allows for comment upon the tales by the tellers themselves, in a setting that elicits one story in return for another. In his close and original analysis, Pier Massimo Forni uses the notion of rhetoric as a guiding principle for a critical assessment of the . He explores the discursive tools with which the narrators connect the contents of their stories to their audience's environment, and goes on to argue that the book is significantly marked by Boccaccio's habit of exploring the narrative potential of rhetorical forms. By showing how the marks a new stage in the development of vernacular realism, Forni also charts a new course in Boccaccio criticism. Viewing the cultural and rhetorical context of the medieval masterpiece from a fresh perspective, he offers intriguing insights into the functioning of Boccaccio's narrative. maps the cognitive poetic processes that rule the complex authorial network of relationships involving speech, event, received culture, and narrative objects.