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Amphibious Subjects: Sasso and the Contested Politics of Queer Self-Making Neoliberal Ghana
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Amphibious Subjects: Sasso and the Contested Politics of Queer Self-Making Neoliberal Ghana
Current price: $34.95
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Barnes and Noble
Amphibious Subjects: Sasso and the Contested Politics of Queer Self-Making Neoliberal Ghana
Current price: $34.95
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Amphibious Subjects
is an ethnographic study of a community of self-identified effeminate men—known in local parlance as
sasso
—residing in coastal Jamestown, a suburb of Accra, Ghana's capital. Drawing on the Ghanaian philosopher Kwame Gyekye's notion of "amphibious personhood," Kwame Edwin Otu argues that sasso embody and articulate amphibious subjectivity in their self-making, creating an identity that moves beyond the homogenizing impulses of western categories of gender and sexuality. Such subjectivity simultaneously unsettles claims purported by the Christian heteronationalist state and LGBT+ human rights organizations that Ghana is predominantly heterosexual or homophobic. Weaving together personal interactions with sasso, participant observation, autoethnography, archival sources, essays from African and African-diasporic literature, and critical analyses of documentaries such as the BBC's
The World’s Worst Place to Be Gay
,
is an ethnographic meditation on how Africa is configured as the "heart of homophobic darkness" in transnational LGBT+ human rights imaginaries.
Amphibious Subjects
is an ethnographic study of a community of self-identified effeminate men—known in local parlance as
sasso
—residing in coastal Jamestown, a suburb of Accra, Ghana's capital. Drawing on the Ghanaian philosopher Kwame Gyekye's notion of "amphibious personhood," Kwame Edwin Otu argues that sasso embody and articulate amphibious subjectivity in their self-making, creating an identity that moves beyond the homogenizing impulses of western categories of gender and sexuality. Such subjectivity simultaneously unsettles claims purported by the Christian heteronationalist state and LGBT+ human rights organizations that Ghana is predominantly heterosexual or homophobic. Weaving together personal interactions with sasso, participant observation, autoethnography, archival sources, essays from African and African-diasporic literature, and critical analyses of documentaries such as the BBC's
The World’s Worst Place to Be Gay
,
is an ethnographic meditation on how Africa is configured as the "heart of homophobic darkness" in transnational LGBT+ human rights imaginaries.