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An Evening with Silk Sonic
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An Evening with Silk Sonic
Current price: $13.29
Barnes and Noble
An Evening with Silk Sonic
Current price: $13.29
Size: CD
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Anderson .Paak
and
Bruno Mars
discovered a rapport in 2017 when the former, fresh off the release of
Malibu
, supported the latter on the
24K Magic
tour. Mutual admiration and shared affinity for classic R&B predating their births, such as
Motown
and Philly soul -- and anything else with churning rhythm guitars, electric sitar, and flashy strings -- grew into
Silk Sonic
. The project was named by another favorite, funk legend
Bootsy Collins
, who hosts
An Evening with Silk Sonic
in expected cordial fashion on a handful of intros and featured appearances. The set would have to be left on repeat for at least six rotations to truly fill an evening -- it's only half an hour in length -- but none of the time is wasted.
Paak
Mars
might have had
Teddy Pendergass
' women-only concerts in mind as they made some of the ballads. "Leave the Door Open," an unlikely number one pop hit six months before the LP was released, is the number that best meshes the smooth and tender style of
with
's nephew-of-
Bobby Womack
rasp and comparatively Lothario-like (sometimes pushy) demeanor. The funkier slow jam "After Last Night" might invite comparisons to "Dick in a Box" but has a bit of
Bootsy
-style fantasy sleaze with a lyrical theme similar to "The Hunter Gets Captured By the Game." "Put On a Smile" provides more than mere entertainment with one of
' finest performances, while "Blast Off" coasts and sways like a 1979
Earth, Wind & Fire
derivative. The energy in the uptempo material is all feel-good, too. The strutting "Fly as Me" lets loose a hook that recalls late-'60s/early '70s
George Clinton
("[I Wanna] Testify," "I Wanna Know If It's Good to You"). "777," the most arrogant and ballerific cut, is shrewdly followed by the dashing roller disco jam "Skate," a Top 20 hit that preceded the album. The duo's playfulness here verges on hammy at times -- more often than on their solo recordings. The trade-off is that they push each other into new levels of showmanship without pandering to the audience. Besides, there's some genuinely witty stuff here. It's a wonder how
was able to keep his face straight while grousing, "Musta spent 35-45 thousand up in Tiffany's/Got her bad-ass kids runnin' round my whole crib like it's Chuck E. Cheese." ~ Andy Kellman
and
Bruno Mars
discovered a rapport in 2017 when the former, fresh off the release of
Malibu
, supported the latter on the
24K Magic
tour. Mutual admiration and shared affinity for classic R&B predating their births, such as
Motown
and Philly soul -- and anything else with churning rhythm guitars, electric sitar, and flashy strings -- grew into
Silk Sonic
. The project was named by another favorite, funk legend
Bootsy Collins
, who hosts
An Evening with Silk Sonic
in expected cordial fashion on a handful of intros and featured appearances. The set would have to be left on repeat for at least six rotations to truly fill an evening -- it's only half an hour in length -- but none of the time is wasted.
Paak
Mars
might have had
Teddy Pendergass
' women-only concerts in mind as they made some of the ballads. "Leave the Door Open," an unlikely number one pop hit six months before the LP was released, is the number that best meshes the smooth and tender style of
with
's nephew-of-
Bobby Womack
rasp and comparatively Lothario-like (sometimes pushy) demeanor. The funkier slow jam "After Last Night" might invite comparisons to "Dick in a Box" but has a bit of
Bootsy
-style fantasy sleaze with a lyrical theme similar to "The Hunter Gets Captured By the Game." "Put On a Smile" provides more than mere entertainment with one of
' finest performances, while "Blast Off" coasts and sways like a 1979
Earth, Wind & Fire
derivative. The energy in the uptempo material is all feel-good, too. The strutting "Fly as Me" lets loose a hook that recalls late-'60s/early '70s
George Clinton
("[I Wanna] Testify," "I Wanna Know If It's Good to You"). "777," the most arrogant and ballerific cut, is shrewdly followed by the dashing roller disco jam "Skate," a Top 20 hit that preceded the album. The duo's playfulness here verges on hammy at times -- more often than on their solo recordings. The trade-off is that they push each other into new levels of showmanship without pandering to the audience. Besides, there's some genuinely witty stuff here. It's a wonder how
was able to keep his face straight while grousing, "Musta spent 35-45 thousand up in Tiffany's/Got her bad-ass kids runnin' round my whole crib like it's Chuck E. Cheese." ~ Andy Kellman