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Angst
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Angst
Current price: $22.99
Barnes and Noble
Angst
Current price: $22.99
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Angst
is a unique soundtrack for a documentary film about judicial scandal in Austria. The music came first and the film was edited to fit the soundtrack, so the score drives the film.
Klaus Schulze
called upon his many influences to build this project. The primary style is Berlin school, but
Schulze
uses his symphonic synths, his
classical
training, and his atmospheric sensitivity as well. For the most part, it does work as a stand-alone musical event, but loses some of its impact with the rhythmic pieces. They have drama and mystery and are, undoubtedly, important to the score -- they just don't stand alone. ~ Jim Brenholts
is a unique soundtrack for a documentary film about judicial scandal in Austria. The music came first and the film was edited to fit the soundtrack, so the score drives the film.
Klaus Schulze
called upon his many influences to build this project. The primary style is Berlin school, but
Schulze
uses his symphonic synths, his
classical
training, and his atmospheric sensitivity as well. For the most part, it does work as a stand-alone musical event, but loses some of its impact with the rhythmic pieces. They have drama and mystery and are, undoubtedly, important to the score -- they just don't stand alone. ~ Jim Brenholts
Angst
is a unique soundtrack for a documentary film about judicial scandal in Austria. The music came first and the film was edited to fit the soundtrack, so the score drives the film.
Klaus Schulze
called upon his many influences to build this project. The primary style is Berlin school, but
Schulze
uses his symphonic synths, his
classical
training, and his atmospheric sensitivity as well. For the most part, it does work as a stand-alone musical event, but loses some of its impact with the rhythmic pieces. They have drama and mystery and are, undoubtedly, important to the score -- they just don't stand alone. ~ Jim Brenholts
is a unique soundtrack for a documentary film about judicial scandal in Austria. The music came first and the film was edited to fit the soundtrack, so the score drives the film.
Klaus Schulze
called upon his many influences to build this project. The primary style is Berlin school, but
Schulze
uses his symphonic synths, his
classical
training, and his atmospheric sensitivity as well. For the most part, it does work as a stand-alone musical event, but loses some of its impact with the rhythmic pieces. They have drama and mystery and are, undoubtedly, important to the score -- they just don't stand alone. ~ Jim Brenholts
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