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Back at the Velvet Lounge
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Back at the Velvet Lounge
Current price: $16.99
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Barnes and Noble
Back at the Velvet Lounge
Current price: $16.99
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At the time of this 2002 recording, tenor saxophonist
Fred Anderson
was 74 and had been leading the house band at Chicago's
Velvet Lounge
for 21 years. There has been no mellowing in his adventurous flights and
Anderson
, who has a huge tone and sometimes hints at
Sonny Rollins
and (to a lesser extent)
Gene Ammons
, always pushes himself. His five lengthy originals are challenging yet loose enough for the musicians to be quite spontaneous. Trumpeter
Maurice Brown
(52 years
's junior and sounding at times like early
Don Cherry
) shows lots of potential, the pianoless rhythm section is stimulating and supportive, and guest
Harrison Bankhead
helps out by playing acoustic guitar on
"Job Market Blues"
and bass on the first two numbers.
"Fougeux"
is a straight-ahead blowout,
"Olivia"
(which features two bassists) starts out as a
ballad
before getting more heated,
is a long jam over a one-chord vamp (rather than being an actual
blues
), and
"Syene"
is a mysterious strut with
Brown
's most rewarding solo of the live set. Saving the best for last, the final number of the CD,
"King Fish,"
has some funky playing by bassist
Tatsu Aoki
and drummer
Chad Taylor
that leads to some colorful free
bop
interplay by the two horns over the walking bass. Although technically "
avant-garde
," the music on this lively outing should interest straight-ahead
jazz
fans too, for these Chicago-based musicians are all worthy of greater recognition. ~ Scott Yanow
Fred Anderson
was 74 and had been leading the house band at Chicago's
Velvet Lounge
for 21 years. There has been no mellowing in his adventurous flights and
Anderson
, who has a huge tone and sometimes hints at
Sonny Rollins
and (to a lesser extent)
Gene Ammons
, always pushes himself. His five lengthy originals are challenging yet loose enough for the musicians to be quite spontaneous. Trumpeter
Maurice Brown
(52 years
's junior and sounding at times like early
Don Cherry
) shows lots of potential, the pianoless rhythm section is stimulating and supportive, and guest
Harrison Bankhead
helps out by playing acoustic guitar on
"Job Market Blues"
and bass on the first two numbers.
"Fougeux"
is a straight-ahead blowout,
"Olivia"
(which features two bassists) starts out as a
ballad
before getting more heated,
is a long jam over a one-chord vamp (rather than being an actual
blues
), and
"Syene"
is a mysterious strut with
Brown
's most rewarding solo of the live set. Saving the best for last, the final number of the CD,
"King Fish,"
has some funky playing by bassist
Tatsu Aoki
and drummer
Chad Taylor
that leads to some colorful free
bop
interplay by the two horns over the walking bass. Although technically "
avant-garde
," the music on this lively outing should interest straight-ahead
jazz
fans too, for these Chicago-based musicians are all worthy of greater recognition. ~ Scott Yanow