When
Elektra Records
decided to reissue
Koerner, Ray & Glover
's debut album,
Blues, Rags & Hollers
, a mere five months after it had first appeared -- in a pressing of only 300 copies -- on
Audiophile Records
, there were technical problems. The 20-track
Audiophile
LP ran nearly 52 minutes and, as
Tony "Little Sun" Glover
later put it in his liner notes to the 1995 CD reissue, the tracks "filled the vinyl, right up to the label. (Some people's turntables rejected part-way through the last tune on a sideâ?¦)" Further,
Elektra
"didn't like the wide stereo spread, so they wanted to put it out in mono." (That would affect the width of the grooves and thus also improve the playability of the LP.) As a result, the trio was asked to delete two songs from each side of the disc for the reissue. They decided to lose
"Spider" John Koerner
's
"Ted Mack Rag"
and
"Too Bad,"
Dave "Snaker" Ray
's version of
Robert Johnson
"Dust My Broom,"
and the concluding track, a trio version of
Leadbelly
"Mumblin' Word."
That still left 16 tracks and nearly 42 minutes of what constituted one of the defining albums of the
folk revival
. The Minneapolis, MN, trio, with
Koerner
Ray
on guitar and vocals, plus
Glover
on harmonica and vocals, were the quintessential young, white collegiate
folk-blues
enthusiasts from the North striving to play the traditional music as if they were old, black, uneducated musicians from the South. The thing was, they succeeded, not only in re-creating the sound of
Sleepy John Estes
, among others, but also in writing their own original songs that sounded authentic. This was the essence of the
at the time, an homage to what went before that paid tribute through sincere imitation, attempting to preserve a tradition and extend it into the future. The three musicians actually didn't play together throughout the record, only appearing as a trio on the opening song,
"Linin' Track."
In between,
had six solo performances,
had five,
had one, and there were two duets between
and one between
(plus a lot of sympathetic foot-tapping). This version was the only one available for the next three decades, but in 1995
Red House Records
licensed the album from
and released it on CD in its original stereo, 20-track form. ~ William Ruhlmann