Recorded in 2003 and 2005, this was the debut release for African-American-Swedish soprano
Barbara Hendricks
' new label,
Arte Verum
.
Hendricks
' recordings for the label, accompanied here and elsewhere by Swedish pianist
Love Derwinger
, have been consistently interesting and often powerful, informed by a deep personal commitment to the music performed. This one has the personal component; it is dedicated to the late
Victoria de los Angeles
and includes a lovely performance of one of her trademark numbers, the Catalan folk song
El cant dels ocells
. The program is absorbing, featuring five composers linked by their engagement with the Iberian folk and popular heritage, but with distinctly different takes on that heritage and on the possibility of combining it with influences from the European mainstream.
sets the artless semi-popular melodies of
Fernando J. Obradors
against the dense Impressionist evocations of Cuba in the music of
Xavier Montsalvatge
with beautiful effect. With the humorous and romantic
Tonadillas
and
Canciones amatorias
of
Enrique Granados
, she is in her element. All this said, this was something of an odd choice for a debut.
has often given concerts in the Spanish-speaking world, and one can only conclude that audiences there find her accent charming; it's pretty strange, and the texts at times are barely recognizable. Or perhaps it's that there's a certain groove into which most performances of
Falla
's
Siete canciones populares espanolas
fall, and
avoids this; perhaps her performances for Spaniards are refreshingly exotic. She is less a fiery singer of flamenco music that a Frenchwoman sampling Spanish flavors. Offbeat rather than revelatory, this is a recording that can be recommended to
fans and perhaps to those interested in fresh approaches to the Iberian repertory. All texts, including the excellent booklet essay by
Javier Palacio
, are given in Spanish (or Catalan), French, German, and English.~James Manheim