This must have been a hell of a concert to see. In 1985,
Steve Lacy
went to Berlin to play four different concerts, all of them duets with a different partner. Two of them were with pianists, one was with a dancer, and the last was with fellow soprano saxophonist
Evan Parker
. Given
Lacy
's gargantuan stature as the foremost
jazz
soprano saxophonist in the world, and
Parker
's as the most important member of the British
free jazz
and new music scene with the exception of
Derek Bailey
, this had the potential to be one hell of a show. If this recording is any indication of what that evening was like, then it was all that and more. Apparently, each player had the opportunity to play a solo set before this encounter took place. When the two men joined, magic happened. Both players, rather than come out steaming or with deference to the other, entered the musical sphere lyrically with subtlety and elegance. First
, then
, went weaving and winding around each other, slipping through an instantaneous
modal
syntax that gave the other room to move inside and work out from. It would appear the two rehearsed this set because it was so perfectly timed and executed. The three "movements" or "sections" or "selections" all contained their moments of intensity, but none broke the seam of the sound world created by the pair.
"Full Scale"
was a work out for scales from
's recorded practice books as interpreted by
. Next,
"Relations"
featured each man quoting from his inspirations before creating a new
improvisation
from the quotes. So different were the quotes, one would have to know the entire history of
and
classical
music to sort through them. But when combined, a tapestry of new
was sketched and then emerged fully formed. Finally,
"Twittering"
offered
's worship of
Thelonious Monk
's reading of
reading
Monk
. It is fascinating to hear how these soloists come just behind one another, as if the entire thought appeared in the moment of the other's first note! This
swings the hardest as each man takes part in creating "rhythm" from the spaces in between themes. They actually end up in the same place at the same time more often than not.
Added to the disc are three selections recorded after the concert. Titled
"Nocturnal Chirps,"
they too are of interest, but are too brief in and of themselves for the players to really sink their teeth in. No matter, they are still brilliant if tiny glimpses into the partnership that was forged on this truly magical night. This is essential listening for
and/or
fans. Many kudos to
FMP
for this one. ~ Thom Jurek