An underrated and hard-to-find
Fall
album, this 1992 release returned to a harder, more caustic band than found on the previous year's
Shift Work
. Slimmed down to a four- piece (with added keyboards by
David Bush
) and produced by
Craig Leon
and
Simon Rogers
,
the Fall
yet again returned with an experimental and menacing collection of songs. The centerpiece and only single off the album was
"Free Range,"
a bit of
Mark E. Smith
's "prepsicognition" about the coming Balkan wars. "Pressure guilt! Grudge match!"
Smith
yelps, stringing together images and streams of consciousness. "It pays to talk to no-one!" Years later, it has the same chilling foresight of
Yeats
's "The Second Coming."
's writing was beginning to pare itself down to the essence, relying on repetition and imagery, while the backing of
Scanlon
Wolstencroft
, and
Hanley
were translating the feel of sequenced techno into their guitars and drum attack (especially on
"Immortality"
"So Called Dangerous"
). An album that improves with age. ~ Ted Mills