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Collector's Item from the San Francisco Scene
Barnes and Noble
Collector's Item from the San Francisco Scene
Current price: $9.99
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Barnes and Noble
Collector's Item from the San Francisco Scene
Current price: $9.99
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This double-LP/single-CD reissue combines both of the
Great Society
's live albums,
Conspicuous Only by Its Absence
and
How It Was
, and features
"Somebody to Love"
in its original slower, more menacing version. It also includes the
Society
's extended version of
Grace Slick
's
"White Rabbit"
along with several other haunting originals which strike an exhilarating balance between tight songwriting and
psychedelic
jamming. Based on his
raga
-tinged work here, guitarist
Darby Slick
(
Grace
's then brother-in-law) deserves a lot more recognition than he's ever received for his pioneering explorations of Eastern scales. Bassist
Peter Van Gelder
isn't far behind him in the innovation department, and makes significant contributions here on saxophone and flute as well, plunging into
John Coltrane
territory on the former -- and his work on
"White Rabbit,"
by itself, is worth the price of admission. Additionally,
's singing was already about 95-percent of what it would be with the
Airplane
when she came aboard the latter, and if you close your eyes and forget what you're hearing, there are moments when you'd swear you were listening to her work from
Surrealistic Pillow
,
After Bathing at Baxter
's, or
Crown of Creation
. What's more, the CD edition is very nicely produced, the engineers overcoming most of the sonic limitations of the original concert tapes that made the original LP versions sound so flat in spots. All of these attributes make the title of this release something of a misnomer -- far more than a "Collector's Item," this is a genuinely exciting glimpse into the birth of
music, and essential listening for any devotees of the latter, or the San Francisco sound in any of its manifestations; the
might not have made it past 1966, but they left behind music here that was as solid, substantial, and enduring -- and worth hearing today -- as anything the
the Grateful Dead
, and
the Charlatans
were doing at the time. (And if you do look for this CD -- which, amazingly, is still in print as of 2007 -- a lot of stores tend to file it under
rather than
). ~ Richie Unterberger & Bruce Eder
Great Society
's live albums,
Conspicuous Only by Its Absence
and
How It Was
, and features
"Somebody to Love"
in its original slower, more menacing version. It also includes the
Society
's extended version of
Grace Slick
's
"White Rabbit"
along with several other haunting originals which strike an exhilarating balance between tight songwriting and
psychedelic
jamming. Based on his
raga
-tinged work here, guitarist
Darby Slick
(
Grace
's then brother-in-law) deserves a lot more recognition than he's ever received for his pioneering explorations of Eastern scales. Bassist
Peter Van Gelder
isn't far behind him in the innovation department, and makes significant contributions here on saxophone and flute as well, plunging into
John Coltrane
territory on the former -- and his work on
"White Rabbit,"
by itself, is worth the price of admission. Additionally,
's singing was already about 95-percent of what it would be with the
Airplane
when she came aboard the latter, and if you close your eyes and forget what you're hearing, there are moments when you'd swear you were listening to her work from
Surrealistic Pillow
,
After Bathing at Baxter
's, or
Crown of Creation
. What's more, the CD edition is very nicely produced, the engineers overcoming most of the sonic limitations of the original concert tapes that made the original LP versions sound so flat in spots. All of these attributes make the title of this release something of a misnomer -- far more than a "Collector's Item," this is a genuinely exciting glimpse into the birth of
music, and essential listening for any devotees of the latter, or the San Francisco sound in any of its manifestations; the
might not have made it past 1966, but they left behind music here that was as solid, substantial, and enduring -- and worth hearing today -- as anything the
the Grateful Dead
, and
the Charlatans
were doing at the time. (And if you do look for this CD -- which, amazingly, is still in print as of 2007 -- a lot of stores tend to file it under
rather than
). ~ Richie Unterberger & Bruce Eder