Based on a novel by Chris Massie, is a British attempt to match the poetry and lyricism of the French cinema of the late 1940s. Eric Portman plays a contemporary artist who tends to live in the past. He surrounds himself with Renaissance artwork, obsessed with the notion that he and his lady friend (Edana Romney) are reincarnations of the lovers in a centuries-old painting. Portman's delusions eventually lead to murder. Critical reaction to was split right down the middle: American critics found the film profound, while British commentators dismissed it as empty and ponderous.