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Deep in the Shade
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Deep in the Shade
Current price: $14.99


Barnes and Noble
Deep in the Shade
Current price: $14.99
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The Steep Canyon Rangers
continue their upward arch with
Deep in the Shade
another collection of mostly original tunes that blend contemporary bluegrass stylings with folk, gospel, and old-time, hardcore country music. Their playing has always been exemplary, but they've always concentrated on the song itself, with minimal solos, although every member can shred with the best of 'em.
Graham Sharp
and
Charles Humphrey III
are developing into first-class tunesmiths, and several songs here could be big commercial hits in the hands of some mainstream country artist.
Humphrey
's
"I Thought That She Loved Me"
is a country-boy-meets-city-girl lament, but the lyric has a bit of arch humor usually missing in songs of this kind. The tongue-twisting chorus and the interplay between
Mike Guggino
's mandolin and
Nicky Sanders
' fiddle add to the song's playful feel.
Sharp
"Heartbreak Is Real"
is the kind of sad honky tonk song that
George Jones
cut his teeth on, a low-down lament given a jaunty rhythm complemented by the band's close harmonies and
Sanders
' crying fiddle.
"Shades of Gray"
is an old-fashion country song detailing the time in a marriage when everything is going wrong; the band's energetic playing complements
Woody Platt
's mournful lead vocal. Hard times are the subject of
"Turn Up the Bottle,"
an energetic drinking song, and
"Nowhere to Lay Low,"
a lament with an ancient-mountain feel and an apocalyptic chorus. The covers include a bluegrass revamping of
Merle Haggard
's love-'em-and-leave-'em classic
"I Must Be Somebody Else You've Known"
delivered with a bit of tongue in cheek humor, and a mournful a cappella reading of the
Leadbelly
/
Weavers
classic prison song
"Sylvie,"
the vocals drenched with rich, Southern Baptist church harmonies. ~ j. poet
continue their upward arch with
Deep in the Shade
another collection of mostly original tunes that blend contemporary bluegrass stylings with folk, gospel, and old-time, hardcore country music. Their playing has always been exemplary, but they've always concentrated on the song itself, with minimal solos, although every member can shred with the best of 'em.
Graham Sharp
and
Charles Humphrey III
are developing into first-class tunesmiths, and several songs here could be big commercial hits in the hands of some mainstream country artist.
Humphrey
's
"I Thought That She Loved Me"
is a country-boy-meets-city-girl lament, but the lyric has a bit of arch humor usually missing in songs of this kind. The tongue-twisting chorus and the interplay between
Mike Guggino
's mandolin and
Nicky Sanders
' fiddle add to the song's playful feel.
Sharp
"Heartbreak Is Real"
is the kind of sad honky tonk song that
George Jones
cut his teeth on, a low-down lament given a jaunty rhythm complemented by the band's close harmonies and
Sanders
' crying fiddle.
"Shades of Gray"
is an old-fashion country song detailing the time in a marriage when everything is going wrong; the band's energetic playing complements
Woody Platt
's mournful lead vocal. Hard times are the subject of
"Turn Up the Bottle,"
an energetic drinking song, and
"Nowhere to Lay Low,"
a lament with an ancient-mountain feel and an apocalyptic chorus. The covers include a bluegrass revamping of
Merle Haggard
's love-'em-and-leave-'em classic
"I Must Be Somebody Else You've Known"
delivered with a bit of tongue in cheek humor, and a mournful a cappella reading of the
Leadbelly
/
Weavers
classic prison song
"Sylvie,"
the vocals drenched with rich, Southern Baptist church harmonies. ~ j. poet