If a band has the word "stompers" in its name, one can usually assume that there is some type of 1920s/1930s influence involved -- and in the case of
John Skillman's Barb City Stompers
, there is indeed a strong '20s/'30s influence. Illinois clarinetist
Skillman
specializes in jazz of the pre-bebop variety, and there isn't a trace of bop to be found on
DeKalb Blues
. This 66-minute CD was recorded in 2009, but musically,
's inspiration comes from the types of jazz that were popular during Prohibition and the Great Depression. And while Dixieland is part of the equation on
, it would be a mistake to think of this album as strictly Dixieland -- actually, most of the performances fall into the classic jazz/early swing category. What is classic jazz? It's the jazz that came before the swing era (roughly 1935-1945) but after Dixieland; the music that
Fats Waller
,
the Mound City Blue Blowers
James P. Johnson
Fletcher Henderson
, and
Joe Venuti
(just to give a handful of examples) were playing in the late '20s/early '30s was classic jazz, which was essentially an early form of swing. And throughout the album,
and his
Barb City Stompers
(trombonist
Roy Rubinstein
, guitarist
Larry Rutan
, bassist
Robert Hintzsche
, and drummer
Aaron Puckett
) are adamantly committed to a pre-
Charlie Parker
aesthetic. Nothing groundbreaking occurs, but the performances are consistently enjoyable whether
is embracing
"My Old Kentucky Home,"
"Yes Sir! That's My Baby,"
's
"Sweet Sue,"
or
George Gershwin
"Lady Be Good."
Although
isn't a major name on the Dixieland/classic jazz circuit,
demonstrates that his playing is certainly worth getting to know. ~ Alex Henderson