Charles Dickens's experience and imagining of creativity is at the heart of his self-awareness, subject-matter and narrative. His intelligence works intuitively rather than conceptually and ideas about imagination often emerge informally in personal letters and implicitly through characters, language and story. His self-analysis and reflexive tendency are embedded in his styles and forms of narrative and dialogue, images of normality, madness, extremity, subversion and disorder, poetry and intertextuality, anticipating and shaping the languages of modernism, influencing James Joyce and Virginia Woolf as well as traditionalists like H.G. Wells and Evelyn Waugh. Discussing Dickens's novels and some of his letters, sketches, essays and stories, Barbara Hardy offers a fascinating demonstration of creativity.
About the Author:
Barbara Hardy is a poet, autobiographer and novelist, as well as a critic whose books include three on George Eliot and three on Dickens. She is Emeritus Professor at Birkbeck, University of London, Honorary Professor of the University of Wales, Swansea, and Fellow of the Royal Society of Literature and the British Academy