A shared effort between producer/musician
Brent Knopf
of
Menomena
and
Ramona Falls
and singer/songwriter and
touring member
Matt Sheehy
,
DRRT
finds solid ground between
Knopf
's fractured yet graceful production style and
Sheehy
's wistful melodies and enigmatic prose. It's a surprisingly solid and lived-in-sounding debut that delivers its charms like an extended-release painkiller, rewarding those listeners with the patience to wait out some of its sleepier moments, most of which ("Through Your Bones," "Wonderful World," "Dead Moon") arrive late in the album. While
's idiosyncratic production style will be instantly recognizable to those in the know,
is ultimately
's baby, and his rich, form-fitting voice, which falls somewhere between the earthy croon of
Fleet Foxes
frontman
Robin Pecknold
and the laconic Midwest drawl of
Andrew Bird
, provides as much atmosphere as it does lyrical content on standout cuts like "Cold Feet," "Gossamer," and "Afraid of Summer." A heady mix of indie chamber folk and
Shearwater
/early
Peter Gabriel
-inspired AOR pop, "Your Name Is a Fire" and, to a lesser extent, "Belly of the Bird/Valentina" introduce subtle percussive and creative yet unobtrusive electronic elements into the mix, wrapping
's impressionistic words in a light rain of synths and late-night handclaps that makes the songs sound weightier than they actually are. In fact, much of
feels that way at first, but multiple spins do a great deal of good in revealing the many complexities that reside within
's first outing under the
Lost Lander
moniker. ~ James Christopher Monger