Subtitled "Special Low Frequency Version" on the front -- and if one opens up the CD, the reverse of the booklet shows a wide selection of pills -- arguably
Earth
and its stoned and droned appeal in a nutshell. If
Carlson
and his bassist du jour, in this case
Dave Harwell
, weren't quite
Sub Pop
's answer to the ranges of U.K. guitar extremism from the likes of
Godflesh
,
Main
, and
Skullflower
still came pretty darn close to it, creating a record even the
Melvins
would find weird. Consisting of three long instrumentals edited together as one long monster slam of feedback and howling,
Earth 2
dedicates itself to the proposition that there's no such thing as too loud, trudging, or doom-laden. Opening track
"Seven Angels"
does show that for all the semi-chaos, things are still based around riffs, or at least one key riff endlessly repeated and drove directly into the ground through layers of hum and delay. Had
Tony Iommi
written it, nobody would have blinked an eye, but not even
Sabbath
gave itself over so thoroughly to the power of the amplifier -- and all this without drums. Without even a slight pause,
"Teeth of Lions Rule the Divine"
takes over, namely all 27 minutes of it. With a more paced, clock-chime-from-damnation melody leading the way deep into the track, stretching out and getting even more end-is-nigh as it goes, it's a bizarre but strong, weirdly fascinating performance -- ambient music completely and totally suffused with threat and fuzz. ~ Ned Raggett