For reasons that no one seems to recall in detail -- but for which we can be grateful -- when it was time to release a second LP in America, producer and the band didn't just send the existing album across the Atlantic -- a little fine-tuning and retooling was in order. The band had just expanded by one member, to a quintet -- with the addition of guitarist -- by the end of 1968, whereas represented them as a four-piece outfit. Additionally, the group had just toured the U.S. for the first time, as a quintet, playing to very enthusiastic audiences, and so there was some point to sending U.S. licensee something extra, representing who they were at the start of 1969. And that became the album, offering three -authored instrumentals, plus the hit U.K. single and also their previous single, which had been a British Top 40 hit (though it was unknown in the U.S., and preceded 's hit recording of it by almost two years). Half of was still there, including the opener, and representing the stronger tracks from that record. Between the paring down of and the addition of the single tracks, ended up being a stronger album than its predecessor, though without a hit single in America to drive sales and get it exposure, it barely brushed the Top 200 LP listings in the U.S. Strangely enough, despite the overlap with , was released in England about six months later, probably to help make up for the loss of the group's contract (due to an oversight) by . ~ Bruce Eder