With punk-pop stalwarts now out of the running, could very well be crowned the genre's new torchbearers. Theirs is a punk-pop untainted by emo, unfazed by hardcore, and firmly focused on the latter element -- pop music. To that end, finds the band working with (among others) co-founder and veteran knob-twiddler , who piles their harmonies and distorted guitars into crunchy blocks of radio gold. share more than a few similarities with 's former group -- their dedication to the pop genre, for instance, with roots in something harder -- and his presence is a warm tribute to a band whose efforts deserve some veteran recognition. As before, frontman is the star of this album, whether he's doing his part to liven up a semi-sedate ballad ("The Conversation" -- one of the album's only downer tracks) or channel the commercial spirit of former single "Everything Is Alright." In fact, does seem to consciously aim for commercial acceptance, but rarely at the expense of the quirks and literate lyrics that first endeared to their fans. There's simply more radio-minded material here, from the beefy bass-driven "This Is for Real" to the mix of synthesized pop/rock and latter-day in "Hello Helicopter." By splitting production duties between power pop veteran , , and the aforementioned also avoid the seventh-inning stretch -- that nebulous point on and where the albums' final tracks began to suffer from being so similar to their predecessors. There's no lull here, just fast-paced fun -- which, given the band's motion-centric name, is both appropriate and tuneful. ~ Andrew Leahey