Neil Young
's second solo album, released only four months after his first, was nearly a total rejection of that polished effort. Though a couple of songs,
"Round Round (It Won't Be Long)"
and
"The Losing End (When You're On),"
shared that album's
country-folk
style, they were altogether livelier and more assured. The difference was that, while
was a solo effort,
Everybody Knows This Is Nowhere
marked the beginning of
Young
's recording association with
Crazy Horse
, the trio of
Danny Whitten
(guitar),
Ralph Molina
(drums), and
Billy Talbot
(bass) that
had drawn from the struggling local Los Angeles group
the Rockets
. With them,
quickly cut a set of loose, guitar-heavy
rock
songs --
"Cinnamon Girl,"
"Down by the River,"
"Cowgirl in the Sand"
-- that redefined him as a
rock & roll
artist. The songs were deliberately underwritten and sketchy as compositions, their lyrics more suggestive than complete, but that made them useful as frames on which to hang the extended improvisations (
"River"
"Cowgirl"
were each in the nine-to-ten-minute range)
played with
and to reflect the ominous tone of his singing.
lowered his voice from the near-falsetto employed on his debut to a more expressive range, and he sang with greater confidence, accompanied by
Whitten
and, on
"Round Round,"
by
Robin Lane
.
was breathtakingly different when it appeared in May 1969, both for
and for
in general, and it reversed his commercial fortunes, becoming a moderate hit. (
's joining
Crosby, Stills & Nash
the month after its release didn't hurt his profile, of course.) A year and a half after its release, it became a gold album, and it has since gone platinum. And it set a musical pattern
and his many musical descendants have followed ever since; almost 30 years later, he was still playing this sort of music with
, and a lot of contemporary bands were playing music clearly influenced by it. ~ William Ruhlmann