Kane Brown
leaned into his millennial modernity on his 2016 debut, but the very title of its 2018 sequel suggests he is ready to probe the boundaries of what constitutes country at the twilight of the 2010s.
Experiment
dials down the overt modern R&B bent of
without abandoning this aesthetic; similarly, he moves away from the candid confessionals of "Learning" but is still comfortable enough with his feelings to offer an explicit political protest song with "American Bad Dream." Such shifts are as tactical as
Brown
's decision to blend classic country forms with modern production while simultaneously accentuating a guttural growl that was unheard on his debut. This vocal affectation makes
sound more conventionally country but he deploys it cannily, whether it's on the randy "Short Skirt Weather" -- a spiritual sequel to
Mel McDaniel
's "Baby's Got Her Blue Jeans On" -- or the opening "Baby Come Back to Me," which beats
Jason Aldean
at his slow-burning game.
isn't especially interested in being strictly country, though. These tracks help shore up support with the country base, but he also dabbles in arena country with echoes of
U2
("My Where I Come From") and amorphous borderless modern pop, which are mere accents to his concentration on soul.
embraces both old-school and modern R&B, sliding into a classic Southern groove on "Good as You" and gliding along to the slick surfaces of "Weekend," where he entices his lover to while away the days binge-watching '90s sitcoms. On these songs,
erases the lines between the past and the present, and this blurriness is the strength of
: like the world he lives in, he repurposes old sounds and styles with his eye firmly on the future. ~ Stephen Thomas Erlewine