Fallen Angels
may have been recorded at the same session as 2015's moody
Shadows in the Night
, but its tone is very different. Call
the
Nice 'n' Easy
to the
No One Cares
of
: they're both tributes to
Frank Sinatra
, but the 2016 album is light at heart. It's filled with songs of love, not heartbreak, and
Dylan
's band plays the numbers as sweet shuffles that function as a counterpart to the gloomy saloon tunes that filled
. Another distinction of
is that, unlike its cousin, some of the featured songs are quite common: "Young at Heart," "All the Way," "It Had to Be You," and "Come Rain or Come Shine" often pop up on Great American Songbook tributes, whereas the compositions on
Shadows
often felt carefully curated. Such familiar tunes -- which are offset by such nifty excavations as "Maybe You'll Be There," "On a Little Street in Singapore," and "Skylark," the only song here not recorded by
Sinatra
-- help draw attention to
's interpretations. Supported by his trusted touring band, he pushes these songs into the realm of a dusty roadhouse, letting "That Old Black Magic" skip along to a swift danceable beat, turning "Polka Dots and Moonbeams" into a country ramble, playing "Melancholy Mood" as an after-hours blues. These wise, wily interpretations underscore
's ultimate aim with these
records, which is to slyly tie together various strands of American music, bringing Tin Pan Alley to the barrooms and taking the backwoods uptown. The results are understated yet extraordinary, an idiosyncratic, romantic vision of 20th century America. ~ Stephen Thomas Erlewine