The very notion seems preposterous today (too good to be true, more like), but in 1981, underground legends
Motoerhead
-- the band who once correctly boasted that if they moved in next door, your lawn would die -- saw their landmark
No Sleep 'Til Hammersmith
live album enter the U.K. Charts at number one! The
New Wave of British Heavy Metal
was also in full swing that year, with early champions like
Saxon
,
Iron Maiden
and
Def Leppard
already building from strength to strength, and a hungry throng of supplementary upstarts waiting in the wings to take their best shot at denim-and-leather glory. One of these was South London's
Tank
, and the reason we bring up
, first and foremost here, is because this power trio composed of the brothers
Mark
Pete Brabbs
and gravel-throated, former
Damned
bassist
Algy Ward
, had
Lemmy
and co. to thank for the lion's share of their musical inspiration -- not to mention many of their earliest concert bookings leading up to first album
Filth Hounds of Hades
. Released in early 1982 and produced by none other than
guitarist
"Fast" Eddie Clarke
Filth Hounds
naturally contained its fair share of scorching, paint-peeling heavy rockers (see the title cut,
"Run Like Hell"
and opener
"Shellshock,"
whose silly caveman chants suggest just how much fun was had at these sessions), fueled by a similarly volatile cocktail of intensity and velocity as that made famous by the band's creative gurus. But the record also made room for more accessible offerings like amusing singles
"Blood, Guts & Beer"
"He Fell in Love with a Stormtrooper,"
the sardonic
"Who Needs Love Songs,"
and the surprisingly long-winded bluesy jam
"That's What Dreams Are Made Of"
(which some listeners may liken to
's
"The Chase Is Better Than the Catch"
) -- all of which helped to showcase
's enviable instrumental chops at less frantic speeds. Even so, it's arguably another pair of teetotal
punk
metal
masterpieces -- the self-explanatory
"Struck by Lightning"
and the arguably career best anthem,
"Turn Your Head Around"
-- that ensure
' standing as
's best album ever, and qualifying it as an essential item in the record collection of any serious '80s
fan. ~ Eduardo Rivadavia