Finger Poppin'
was the first album
Horace Silver
recorded with the most celebrated version of his quintet, which featured trumpeter
Blue Mitchell
, tenor saxophonist
Junior Cook
, bassist
Gene Taylor
, and (this time around) drummer
Louis Hayes
. It's also one of
Silver
's all-time classics, perfectly blending the pianist's advanced, groundbreaking
hard bop
style with the winning, gregarious personality conveyed in his eight original tunes.
always kept his harmonically sophisticated music firmly grounded in the emotional directness and effortless swing of the
blues
, and
is one of the greatest peaks of that approach. A big part of the reason is the chemistry between the group -- it's electrifying and tightly knit, with a palpable sense of discovery and excitement at how well the music is turning out. As a bandleader,
helps keep the ensemble's solo statements as concise and rhythmic as his own, concentrating the impact of the performances and keeping the pieces moving along without ever letting the listener's attention span wane. There's a nice variety of tempos and moods over the well-paced program; particularly memorable are the hard-swinging, bluesy
"Juicy Lucy"
; the bopping, up-tempo
"Cookin' at the Continental"
; and the gritty groove of
"Come on Home."
Also breaking things up are a couple of spare, reflective
ballads
and a frenetic exploration of Brazilian rhythms,
"Swingin' the Samba."
is everything small-group
should be, and it's a terrific example of what made the
Blue Note
label's mainstream sound so infectious. ~ Steve Huey