On the surface, Ha Seong-nan’s stories seem pleasant enough, yet there’s something disturbing just below the surface, ready to permanently disrupt the characters’ lives.
A woman meets her next-door neighbor and loans her a spatula, then starts suffering horrific gaps in her memory. A man, feeling jilted by an unrequited love, becomes obsessed with sorting through his neighbors’ garbage in the belief that it will teach him how to better relate to people. A landlord decides to raise the rent, and his tenants hatch a plan to kill him at a team-building retreat.
In ten captivating, unnerving stories,
Flowers of Mold
presents a range of ordinary individuals—male and female, young and old—who have found themselves left behind by an increasingly urbanized and fragmented world. The latest in the trend of brilliant female Korean authors to appear in English, Ha cuts like a surgeon, and even the most mundane objects become menacing and unfamiliar under her scalpel.