In contrast to the crisp, clean sound of
World
,
Fried
often sounds rougher, a bit more shut in. Combine that with
Cope
's generally successful attempts to project an image of barely stable sanity, helped in large part by the notorious wearing-nothing-but-a-turtle-shell cover photos, and the idea of
as his album of crazed musical collapse understandably is a strong one. However,
producer
Steve Lovell
once again handles things here, along with playing guitar, while even more importantly, key
collaborator
Donald Ross Skinner
, a young musician from
's hometown, makes his debut.
Kate St. John
again contributes cor anglais throughout, adding a haunting atmosphere on many cuts. If anything, the album shows that
may be completely musical tripping out as he chooses but he knows exactly what he's doing throughout. Certainly the first cut,
"Reynard the Fox,"
shows him balancing inspiration and arrangement perfectly -- one of his strongest, catchiest choruses eventually bleeds into a freaked-out spoken word bit followed by a total rave-up. Other songs range from further on-the-edge efforts -- the frenetic
"O King of Chaos"
and more generally weird
"Sunspots"
-- to gentler, wistful numbers like
"Laughing Boy"
and
"Search Party"
that effectively capture a rural psych feeling akin to
XTC
's own work at the same time. In all,
shows
at his dramatic best -- he's not disintegrating by inches, but he knows how to project that impression with vigor and skill, all while sounding like himself most of all. He gets in a hilarious slam along the way --
"Bill Drummond Said"
trashes, by means of an energetic enough
folk
/
rock
combination, his former manager from
Teardrop Explodes
days.
Drummond
got his revenge years later -- while most well-known for his work in the
KLF
, his solo album
The Man
featured a ditty called
"Julian Cope Is Dead."
~ Ned Raggett