With
Forget
,
Xiu Xiu
delivered another fine example of their music at its most accessible; on
Girl with Basket of Fruit
, they return to their most challenging side, and prove once again that it's just as integral to their art as their dark synth pop. As on
Angel Guts: Red Classroom
Jamie Stewart
and company find new ways to describe and confront the horrors of the world. Even on
's terms, the title track is a startling beginning to
.
Stewart
's voice springs out of the abrasive din, shouting lyrics that shift from nightmarish to cartoonish and back again ("Her boob gets so floppy she uses it as a fan to wave away his sickening B.O.") in a way that only this band can pull off. As frenzied as
gets on
, the album isn't pure chaos. The band emphasizes rhythm in a way they haven't done in some time, whether it's the flexible backbone of longtime collaborator
Devin Hoff
's double bass on "Ice Cream Truck" or the visceral beats that Haitian and Yoruba drummers bring to "Scisssssssors," the album's most immediate track. Here and on the trance-inducing collage "Pumpkin Attack on Mommy and Daddy,"
borrow from dance, classical, industrial, and music from around the world in unexpected yet organic ways. Less surprising, but just as powerful, are the album's painfully vulnerable moments.
's empathy rings out as strongly as ever on "The Wrong Thing" and "Normal Love," which provide aching respites to
's outbursts. "Mary Turner, Mary Turner," a harrowing account of the 1918 lynching of a pregnant African American woman, serves as a reminder that
's knowledge of atrocities isn't limited to current events. Affecting, cathartic, and unsettling,
reflects that while the edge to
's music has changed with time, it never dulls. ~ Heather Phares