The 16-tracks on this compilation are from
Roy Buchanan
's trio of mid-1970s titles:
A Street Called Straight
(1976),
Loading Zone
(1977), and
You're Not Alone
(1978). After a less than personally (or professionally) satisfying stint earlier in the decade with
Polydor Records
,
Buchanan
teamed up with
Atlantic
, who helped him get out of his pending contract with the former. Under the direction of
Arif Mardin
, the guitarist assembled the same instrumental support combo he'd used during his concurrent and practically incessant touring --
John Harrison
(bass),
Malcolm Lukens
(keyboards), and
Byrd Foster
(drums/vocals). The core quartet are augmented by all-stars
Andy Newmark
(drums),
Will Lee
Billy Cobham
(percussion), the
Brecker Brothers
horn section, and even backing vocals from former
Rascals
member
Eddie Brigati
. The ferocious opening whine of
"Running Out"
is followed by
's nimble and liquefied tone, which enhances his otherwise bold and unabashed emotive leads. Specifically, the center solo exemplifies his remarkable ability to ably turn from a finely honed and sinister sound, to a divergent string stretching bluesy intonation. The reading of
Jimi Hendrix
'
"If Six Was Nine"
is nothing short of an inspired augmentation of the original. While
Mardin
's production on
has been roundly criticized, there is a distinct progression from his previous studio releases, which were consistently hit-or-miss.
is represented on this collection by no less than six of the LPs nine tunes. The effort was overseen by
jazz
bassist
Stanley Clarke
, and yields some thoroughly excellent material. Of top priority is the stretched-out Memphis groove on
"Green Onions,"
sporting contributions from
Booker T. & the MG's
personnel
Steve Cropper
(guitar) and
Donald "Duck" Dunn
(bass). Of equal note is
"Ramon's Blues,"
which commences this set, with riff upon riff of smouldering rounds of fretwork from
.
builds upon a spacey motif, right down to the astronaut headgear depicted in the cover artwork. Within the grooves are the languid and restrained
"Fly...Night Bird,"
as well as a pair of diverse cover versions of
rock
classics
"Turn to Stone"
(
Joe Walsh
) and
"Down by the River"
Neil Young
). After a blistering take-off, the former disintegrates, thanks to the rather uninspired
smooth jazz
arrangement, which is highlighted by
's intense fret board flurries. Vocalist
Gary St. Clair
fronts the soulful
"Down by the River,"
which is nowhere as essential as the live (and otherwise unavailable) rendering included on the two-disc
Sweet Dreams: The Anthology
(1992), or the decisive, if not definitive interpretation on
Buck & the Snake Stretchers
(1971). The ante is significantly raised, however, on the intense
"Supernova,"
which aptly reasserts
's proficiency. Although there is a bit of overlapping material,
Guitar on Fire: The Atlantic Sessions
(1993) is a great companion to the aforementioned
as a worthwhile critical assessment of
's sadly unrated status, reiterating his moniker as "The World's Best Unknown Guitarist." ~ Lindsay Planer