is generally acknowledged as a production genius, but on occasion that genius can be destructive, and while there's no disputing his talent, sometimes the results can be less than aurally satisfying. This is especially true when it comes to albums, where 's efforts were often erratic. On he was brilliant, and across the record's original ten tracks created a masterpiece of music. Many critics consider this 1977 album one of the best roots records of all time, and at the very least, it was 's apex -- only ' is an equal contender. Which is why it's all the more shocking that the record was turned down by , and even back in Jamaica it received only a limited release. It took nearly two decades for to reappear, finally reissued with a clutch of period bonus tracks by . themselves seem the least-likely contenders to record an exceptional album with . The duo of and had a unique sound, revolving around the former man's crystalline falsetto, which was set off by the latter's rich tenor. The pair composed deeply cultural songs, but both men's vocals had a gentle quality that would wither under a typical deep roots arrangement. Still, had proved his worth working with the soft, husky tones of , but few expected him to be able to repeat this feat. In fact, if anything, the producer was even more sympathetic to ' styling and exhibited a musical self-restraint that astonished even his hardcore fans. Every track on the original album is worthy of classic status, and all presented the group and their songs in the best possible light. To this end, was aided by a phenomenal group of sessionmen and guest backing vocalists which included , a pair of , and the mighty . But beyond ' superb songs and performance, the superb musicianship, and the exceptional vocal talents, it's 's arrangements that brought these numbers to life. Each one was carefully tailored, taking into consideration the mood of the piece and the vocalist. The tribal beats of for example, are just the song's launch pad; its the way the vocals and harmonies weave in and out that makes the piece extraordinary. The 12" and "Chanting" versions give further evidence of 's genius. is stuffed to the brim with instrumentation, with the vocals soaring overhead, and brings the album to a religious fervor. In contrast, is stripped back, a showpiece for 's marvelous falsetto. There's the stirring roots of while echoes across the deeply affecting Every track offers something new: a unique sound, an unforgettable melody and rhythm, an unexpected arrangement. As much work went into the remastering as the recording, and the album sounds as good as it must have at the time it was recorded. Revel in the moment. ~ Jo-Ann Greene