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Hold the Girl
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Hold the Girl
Current price: $11.19
Barnes and Noble
Hold the Girl
Current price: $11.19
Size: CD
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Hitting while the iron was hot, Japanese-English pop star
Rina Sawayama
made a quick turnaround after 2020's breakthrough
Sawayama
thrust her to the forefront of the pop scene, refining her vision and making leaps in artistic maturity with
Hold the Girl
. Like similar moves by contemporaries
Dua Lipa
and
Billie Eilish
,
's drastic growth between albums -- both in sonics and emotional awareness -- is a thrill to behold. Shooting for the rafters straightaway, "Hold the Girl" launches listeners into this world without boundaries where swelling strings, a skittering beat, country-inspired twang, and a massive club chorus somehow sound like they always belonged together. Riding that energy,
drops listeners into "This Hell," an '80s-leaning gem inspired by
Shania Twain
that could have been a
Gaga
track, singalong chorus, electric guitar solo, and all. "Catch Me in the Air" -- are those seagulls and
Titanic
-esque flute flutterings? -- channels
the Corrs
and breezy Y2K-era guitar pop, flying through the clouds atop
's vocal acrobatics. "Hurricanes" takes that formula and adds a wall of guitar on a towering empowerment anthem fit for early-2000s
Kelly Clarkson
. The chest-pounding power ballad "Forgiveness" pushes her singing to stadium-worthy levels before the album swerves into darker territory on a quartet of standouts. The tortured "Holy" slowly percolates into a blissful techno-house anthem that finds
rising above darkness and disillusionment, declaring, "I was innocent when you said I was evil/I took your stones and I built a cathedral." Then, the caustic, industrial-lite "Your Age" puts
Nine Inch Nails
' anger and frustration through the grinder before the cacophonous "Imagining" fuses
PVRIS
' alterna-synth attack and
Charli XCX
's future-pop sheen with urgent alt-rock riffs and '90s house beats. After the skittering "Frankenstein" begs for relief from self-loathing and societal pressure,
allows a breather with the tender acoustic ditty "Send My Love to John" and the sweeping "Phantom," an autobiographical confessional that is as relatable as it is moving. This is one of those albums where each of the vastly different songs could be a hit and, no matter how many times it's been spun, a moment of pause is needed to fully absorb just how good it really is. Besting the already star-making
, the triumphant
is the sound of an artist taking their rightful place on the pop throne.
was born for this. ~ Neil Z. Yeung
Rina Sawayama
made a quick turnaround after 2020's breakthrough
Sawayama
thrust her to the forefront of the pop scene, refining her vision and making leaps in artistic maturity with
Hold the Girl
. Like similar moves by contemporaries
Dua Lipa
and
Billie Eilish
,
's drastic growth between albums -- both in sonics and emotional awareness -- is a thrill to behold. Shooting for the rafters straightaway, "Hold the Girl" launches listeners into this world without boundaries where swelling strings, a skittering beat, country-inspired twang, and a massive club chorus somehow sound like they always belonged together. Riding that energy,
drops listeners into "This Hell," an '80s-leaning gem inspired by
Shania Twain
that could have been a
Gaga
track, singalong chorus, electric guitar solo, and all. "Catch Me in the Air" -- are those seagulls and
Titanic
-esque flute flutterings? -- channels
the Corrs
and breezy Y2K-era guitar pop, flying through the clouds atop
's vocal acrobatics. "Hurricanes" takes that formula and adds a wall of guitar on a towering empowerment anthem fit for early-2000s
Kelly Clarkson
. The chest-pounding power ballad "Forgiveness" pushes her singing to stadium-worthy levels before the album swerves into darker territory on a quartet of standouts. The tortured "Holy" slowly percolates into a blissful techno-house anthem that finds
rising above darkness and disillusionment, declaring, "I was innocent when you said I was evil/I took your stones and I built a cathedral." Then, the caustic, industrial-lite "Your Age" puts
Nine Inch Nails
' anger and frustration through the grinder before the cacophonous "Imagining" fuses
PVRIS
' alterna-synth attack and
Charli XCX
's future-pop sheen with urgent alt-rock riffs and '90s house beats. After the skittering "Frankenstein" begs for relief from self-loathing and societal pressure,
allows a breather with the tender acoustic ditty "Send My Love to John" and the sweeping "Phantom," an autobiographical confessional that is as relatable as it is moving. This is one of those albums where each of the vastly different songs could be a hit and, no matter how many times it's been spun, a moment of pause is needed to fully absorb just how good it really is. Besting the already star-making
, the triumphant
is the sound of an artist taking their rightful place on the pop throne.
was born for this. ~ Neil Z. Yeung
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