"Infinitely moving and powerful, just dead-on right, and absolutely original." —Joan Didion
Since its publication in 1996,
Holy Land
has become an American classic. In "quick, translucent prose" (Michiko Kakutani,
New York Times
) that is at once lyrical and unsentimental, D. J. Waldie recounts growing up in Lakewood, California, a prototypical post-World War II suburb. Laid out in 316 sections as carefully measured as a grid of tract houses,
is by turns touching, eerie, funny, and encyclopedic in its handling of what was gained and lost when thousands of blue-collar families were thrown together in the suburbs of the 1950s. An intensely realized and wholly original memoir about the way in which a place can shape a life,
is ultimately about the resonance of choices—how wide a street should be, what to name a park—and the hopes that are realized in the habits of everyday life.