Released to accompany one of the best
rock
novels of all time, former
Hawkwind
vocalist
Calvert
's
Hype
is part concept album, part soundtrack, and wholly the most underrated project
was ever involved in. The novel, also titled
, follows the short career of
Tom Mahler
, a rising
star whose career is marked by one of the most ambitious media hypes of all time -- and ended by the greatest masterstroke of all, a bullet in the head on the eve of his breakthrough. The album, then, draws from
Mahler
's own catalog of songs, a dozen punchy, electronics-driven vignettes with titles like
"Hanging out on the Seafront,"
"The Luminous Green Glow of the Dials of the Dashboard (At Night),"
and
"Lord of the Hornets,"
a single and the best-known track on the album, courtesy of its appearances on sundry compilation albums. Of course, all 12 are unmistakably
, caught midway between the quirky
pop
transmutation of the late-'70s
/
Hawklords
freakshow, and the dense subversive soundscapes of his own next album,
Freq
. The supporting cast, too, offers few surprises;
Simon House
,
Nik Turner
, and
Michael Moorcock
are all familiar
Hawkfriends
, and their accompaniment molds itself seamlessly around
's characteristically vivacious lyrics. So seamlessly that
's overall obscurity is utterly baffling. Or maybe it isn't. It is fashionable, even among
's greatest admirers, to speak glowingly only of his first two solo sets and to overlook the remainder as mere works in progress -- a conspiracy aided by the unknown record labels, zero budgets, and failing health which dogged his final years. In fact,
is at least as striking as
Lockheed
Lief
-- more so, in fact, when one considers that neither of those albums led anybody anywhere. Play
, however, and one can hear the entire course of
British synth pop
unfolding months before many of its own sainted progenitors themselves got started. And it doesn't even matter whether
was plundered or prescient. You'll never hear
Midge Ure
Ultravox
in the same light again. ~ Dave Thompson