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In Italy, Vol. 1
Barnes and Noble
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In Italy, Vol. 1
Current price: $24.99

Barnes and Noble
In Italy, Vol. 1
Current price: $24.99
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Size: OS
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This set, one of two of
Dixon
's issued on vinyl in 1980, was a rare release that showed why he is so admired by musicians and has such a tough time getting recorded. The four songs contain no prominent beats or riffs, catchy hooks, sentimental melodies, or enticing devices. One is nearly 20 minutes long, with multiple movements (
"For Cecil Taylor"
); another is almost 13 minutes, with stretches of blistering exchanges between
and fellow trumpeters
Arthur Brooks
and
Stephen Haynes
. Even the shorter pieces have exacting unison statements and prickly solos. An unfolding, unpredictable musical dialogue. ~ Ron Wynn
Dixon
's issued on vinyl in 1980, was a rare release that showed why he is so admired by musicians and has such a tough time getting recorded. The four songs contain no prominent beats or riffs, catchy hooks, sentimental melodies, or enticing devices. One is nearly 20 minutes long, with multiple movements (
"For Cecil Taylor"
); another is almost 13 minutes, with stretches of blistering exchanges between
and fellow trumpeters
Arthur Brooks
and
Stephen Haynes
. Even the shorter pieces have exacting unison statements and prickly solos. An unfolding, unpredictable musical dialogue. ~ Ron Wynn
This set, one of two of
Dixon
's issued on vinyl in 1980, was a rare release that showed why he is so admired by musicians and has such a tough time getting recorded. The four songs contain no prominent beats or riffs, catchy hooks, sentimental melodies, or enticing devices. One is nearly 20 minutes long, with multiple movements (
"For Cecil Taylor"
); another is almost 13 minutes, with stretches of blistering exchanges between
and fellow trumpeters
Arthur Brooks
and
Stephen Haynes
. Even the shorter pieces have exacting unison statements and prickly solos. An unfolding, unpredictable musical dialogue. ~ Ron Wynn
Dixon
's issued on vinyl in 1980, was a rare release that showed why he is so admired by musicians and has such a tough time getting recorded. The four songs contain no prominent beats or riffs, catchy hooks, sentimental melodies, or enticing devices. One is nearly 20 minutes long, with multiple movements (
"For Cecil Taylor"
); another is almost 13 minutes, with stretches of blistering exchanges between
and fellow trumpeters
Arthur Brooks
and
Stephen Haynes
. Even the shorter pieces have exacting unison statements and prickly solos. An unfolding, unpredictable musical dialogue. ~ Ron Wynn





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