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In the Kingdom of Dub
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In the Kingdom of Dub
Current price: $20.99
Barnes and Noble
In the Kingdom of Dub
Current price: $20.99
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Hopeton Brown
(aka
Scientist
) was only 21 when he released this collection of dub treatments of tracks produced by
Roy Cousins
in the legendary Channel One studio. The original rhythms had been laid down by core members of
the Aggrovators
and
Soul Syndicate
bands, and the nascent dubmeister applies all the standard tricks of the trade to them: dropping instruments in and out of the mix, suddenly applying echo and reverb to the exposed drums, sending fading echoes of guitar and keyboard spinning off into outer space. Part of what makes this album such a success is its rhythmic variety: insistent steppers beats on "305 Spanish Town Dub" and the fairly minimalist "11 Guava Road Dub"; the thoughtful rockers rhythm that keeps the groove consistent amid the wild dropouts and echoes of "14 Grass Quit Glade Dub"; the way a bright melody and lots of sonic space are juxtaposed with a wide-open one-drop beat on "Chariot Dub."
is not one of those dub producers whose career describes a long arc of progress; he seems to have emerged almost fully formed as a dub artist from his earliest recordings, and this was one of his strongest. ~ Rick Anderson
(aka
Scientist
) was only 21 when he released this collection of dub treatments of tracks produced by
Roy Cousins
in the legendary Channel One studio. The original rhythms had been laid down by core members of
the Aggrovators
and
Soul Syndicate
bands, and the nascent dubmeister applies all the standard tricks of the trade to them: dropping instruments in and out of the mix, suddenly applying echo and reverb to the exposed drums, sending fading echoes of guitar and keyboard spinning off into outer space. Part of what makes this album such a success is its rhythmic variety: insistent steppers beats on "305 Spanish Town Dub" and the fairly minimalist "11 Guava Road Dub"; the thoughtful rockers rhythm that keeps the groove consistent amid the wild dropouts and echoes of "14 Grass Quit Glade Dub"; the way a bright melody and lots of sonic space are juxtaposed with a wide-open one-drop beat on "Chariot Dub."
is not one of those dub producers whose career describes a long arc of progress; he seems to have emerged almost fully formed as a dub artist from his earliest recordings, and this was one of his strongest. ~ Rick Anderson