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Jukebox Fury
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Jukebox Fury
Current price: $11.99
Barnes and Noble
Jukebox Fury
Current price: $11.99
Size: CD
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Jukebox Fury
is a clever title for a covers album, although it's one that implies a record that's full of fervor. That's not quite what
Dale Watson
delivers here. He does kick up some dust, raving through
Roy Head
's "Treat Her Right" with help from
Steve Cropper
, getting deep into the swampy groove of
Tony Joe White
's "Polk Salad Annie" and ripping through
Buck Owens
' "Act Naturally" with ease. He also does a couple of classic country duets with
Linda Gail Lewis
("Always on My Mind") and
Lorrie Morgan
("I've Always Been Crazy"), which is perhaps to be expected from such a honky tonk warrior, but most of the rest of the record finds
Watson
singing radio staples from the 1970s:
Bob Seger
's "Turn the Page,"
Gordon Lightfoot
's "Sundown,"
Michael Johnson
's "Bluer Than Blue,"
Kenny Rogers
' "The Gambler," and
America
's "A Horse With No Name." Such a change of pace is welcome but
often sounds overblown and hammy as he delivers these super hits of the '70s with a barroom bellow. It's enough of a distraction to hamper what's otherwise a serviceable collection of dancehall covers. ~ Stephen Thomas Erlewine
is a clever title for a covers album, although it's one that implies a record that's full of fervor. That's not quite what
Dale Watson
delivers here. He does kick up some dust, raving through
Roy Head
's "Treat Her Right" with help from
Steve Cropper
, getting deep into the swampy groove of
Tony Joe White
's "Polk Salad Annie" and ripping through
Buck Owens
' "Act Naturally" with ease. He also does a couple of classic country duets with
Linda Gail Lewis
("Always on My Mind") and
Lorrie Morgan
("I've Always Been Crazy"), which is perhaps to be expected from such a honky tonk warrior, but most of the rest of the record finds
Watson
singing radio staples from the 1970s:
Bob Seger
's "Turn the Page,"
Gordon Lightfoot
's "Sundown,"
Michael Johnson
's "Bluer Than Blue,"
Kenny Rogers
' "The Gambler," and
America
's "A Horse With No Name." Such a change of pace is welcome but
often sounds overblown and hammy as he delivers these super hits of the '70s with a barroom bellow. It's enough of a distraction to hamper what's otherwise a serviceable collection of dancehall covers. ~ Stephen Thomas Erlewine