The second full-length offering from
White Hinterland
(vocalist
Casey Dienel
and electro-wizard
Shawn Creeden
) positively oozes the kind of murky, open-world atmospherics of classic, early-'90s
4AD
artists like the
Cocteau Twins
,
Lisa Germano
, and
Dead Can Dance
. Built primarily around
Dienel'
s omnipresent voice, a willowy, slightly off-key blend of
Bjoerk
Suzanne Vega
, and the
Delgados'
Emma Pollock
Kairos
is simultaneously peaceful and unnerving; reveling in a wet summer night of choked, downtempo beats and looped "oohs" and "ahhhs." From the ethereal opening notes of
"Icarus"
to the ethereal closing notes of
"Magnolias,"
Dienel
and
Creeden
have crafted a post-midnight breeze of a record that rarely steps outside of its dreamland template -- it's a tactic that would derail other acts not up to the task of seeing the whole thing through. As languid as the whole affair is, it's hardly sleepy, as
can switch from pixie crooner (
"Moon Jam"
) to sweet soul sister (
"Begin Again"
) at the flip of a switch, resulting in a collection of bedroom songs that not only engage upon first listen, but beg to played throughout the rest of the house, as well. ~ James Christopher Monger