Fusing pornography and postfeminist theory, transcript and tell-all, these playful, penetrating poems and stories reach off the page in search of what it is to be known, both to the masses and to the "Other."
Gertrude Stein's work is co-opted and re-seen in an attempt to unpack the relationship between love and war; Walt Whitman makes a command performance in dismembered bits of forced formal verse; and
The Exorcist
and
The Devil in Miss Jones
are sutured together in an attempt to locate the horror of desire.