After the stopgap
Blues Pills Live
in 2015, the international rock quartet returns with
Lady in Gold
, a proper sophomore full-length. It also marks the studio debut of drummer
Andre Kvarnstroem
. When the title track single was issued, some fans of the
Blue Cheer
-meets-
Janis Joplin
attack on the first album were taken aback by its embrace of rocking soul. Some even went so far as to accuse vocalist
Elin Larsson
of trying to emulate
Adele
. Evidently, they'd either forgotten -- or didn't know -- that
derived her singing style from
Aretha Franklin
.
Larsson
is a rabid Queen of Soul fan.
was recorded in analog over two years with producer-engineer
Don Alsterberg
. The sound is much warmer, and the writing more varied. It's more reliant on psychedelic R&B than bluesy hard rock. The single opens the set with a pumping piano that recalls the production
Norman Whitfield
used with
the Temptations
(think "Friendship Train" circa 1970).
pushes right into the guitars and bassline before soaring above them in the dense mix; she epitomizes the power and expression in the lyrics about death as a woman. The thrumming bassline and distorted wah-wah guitars create a spiraling racket underneath. "Little Boy Preacher" is deeper, heavier. It's a take on psychedelic gospel, with
Kvarnstroem
's funky, shuffling backbeats,
's layered backing chorus vocals, and a stinging, fuzzed-out guitar vamp from
Dorian Sorriaux
Zack Anderson
's roiling bassline pushes everybody into the red. "I Felt a Change," introduced by
's croon with a Rhodes piano and Mellotron, is an uncharacteristic ballad, weaving sweet Northern soul and Muscle Shoals rhythm & blues. "Gone So Long" makes use of a glockenspiel, organ, and a slide guitar in a sinister, dramatic, blues-inflected rocker. In "Bad Talker,"
re-employs her grainy
Joplin
-inspired falsetto in the opening section. But when the band kicks, she opens up and lets it rip, powering through them. The groove is like
Delaney & Bonnie
jamming with the
Mad Dogs & Englishmen
house band. "Won't Go Back" is a throbbing rocker with a whomping Wurlitzer, a vicious fuzzed-out bass, spiky guitar, and a double-time, popping snare rave-up under
's
Tina Turner
-esque wailing delivery. The set closer is a completely reworked version of
Tony Joe White
's "Elements and Things" (from his 1969
Monument
classic
â?¦.Continued
). Rather than use the Swamp Fox's chart, the
Blues Pills
choogle and swagger through the melody and riff from
the Stooges
' "I Wanna Be Your Dog" to thunderous result. Qualitatively,
goes way past the band's self-titled debut:
' songwriting is more sophisticated, diverse, and confident. The production, while offering a willingness to experiment, doesn't sacrifice the raw power in their performance either. Forget the sophomore jinx, this set delivers on the promise of that first album and then some. ~ Thom Jurek