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Last Night in America
Barnes and Noble
Last Night in America
Current price: $13.99
Barnes and Noble
Last Night in America
Current price: $13.99
Size: OS
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Singer/songwriter
Matt Kivel
quietly amassed a healthy discography of solo material after stepping away from his more band-oriented work around the beginning of the 2010s. Unlike his long-running indie pop band
Princeton
,
Kivel
looked to more subdued sounds, first channeling the winsome hush of
Nick Drake
, but growing darker and more introspective with each subsequent album. Fifth album
Last Night in America
is the singer's most intimate work in a catalog full of personal sentiments, with
acting as the record's sole writer and performer. Over the course of his other albums, a unique language has formed around the songs. On more than one occasion, he buried shockingly graphic or emotionally intense lyrics in soft beddings of unassuming indie folk. This happens throughout
, with lyrics focusing on troubled interpersonal dynamics or dire political states being quickly washed away by tides of light, airy acoustic guitars. Songs like "The Tower" feel almost designed to hide heavy themes in gentle folkiness, and
employs a steady, glistening electronic beat to obscure his observations of a divided country burning down on "Two Braids." The music feels like springtime while the lyrics are stuck in the dead of winter. While earlier albums incorporated electronics and ambient passages,
has a sharpened focus on ambient and synthesized sounds. Where electronics were limited to padding or brief interludes before, here synthesized compositions linger,
reaching for new ground with emotive instrumental pieces like "Under Glass Air" and the troubled amble of "Tiptoe America." These inspired instrumentals enhance the rest of the album, mirroring the conflicted emotions of
's lyrics wordlessly. When the ambient swells give way to songs where raw observations barely rise to the surface of lushly minimal Americana, the shifts of tension and release become part of the arrangement.
drifts by gently like a warm night, but holds uneasy secrets that demand repeated listens to understand. The sounds breathe and move continuously, their strangeness and strength becoming clearer with each spin. ~ Fred Thomas
Matt Kivel
quietly amassed a healthy discography of solo material after stepping away from his more band-oriented work around the beginning of the 2010s. Unlike his long-running indie pop band
Princeton
,
Kivel
looked to more subdued sounds, first channeling the winsome hush of
Nick Drake
, but growing darker and more introspective with each subsequent album. Fifth album
Last Night in America
is the singer's most intimate work in a catalog full of personal sentiments, with
acting as the record's sole writer and performer. Over the course of his other albums, a unique language has formed around the songs. On more than one occasion, he buried shockingly graphic or emotionally intense lyrics in soft beddings of unassuming indie folk. This happens throughout
, with lyrics focusing on troubled interpersonal dynamics or dire political states being quickly washed away by tides of light, airy acoustic guitars. Songs like "The Tower" feel almost designed to hide heavy themes in gentle folkiness, and
employs a steady, glistening electronic beat to obscure his observations of a divided country burning down on "Two Braids." The music feels like springtime while the lyrics are stuck in the dead of winter. While earlier albums incorporated electronics and ambient passages,
has a sharpened focus on ambient and synthesized sounds. Where electronics were limited to padding or brief interludes before, here synthesized compositions linger,
reaching for new ground with emotive instrumental pieces like "Under Glass Air" and the troubled amble of "Tiptoe America." These inspired instrumentals enhance the rest of the album, mirroring the conflicted emotions of
's lyrics wordlessly. When the ambient swells give way to songs where raw observations barely rise to the surface of lushly minimal Americana, the shifts of tension and release become part of the arrangement.
drifts by gently like a warm night, but holds uneasy secrets that demand repeated listens to understand. The sounds breathe and move continuously, their strangeness and strength becoming clearer with each spin. ~ Fred Thomas