Although he had re-formed his 1970s quartet and even reinstated both lyricist
Bernie Taupin
as well as seminal producer
Gus Dudgeon
earlier in the decade,
Elton John
failed to sustain the momentum that informed
Too Low for Zero
(1983),
Breaking Hearts
(1984), and to a lesser extent
Ice on Fire
(1985). Even the most ardent enthusiasts freely admit that
Leather Jackets
(1986) was nothing more or less than a final fulfillment of his six-album deal with
Geffen Records
. On top of the half-hearted material and less-than-inspired performances is increasing evidence that
John
's voice -- which would require a potentially career-ending surgery less than a year later -- is beginning to show signs of extreme fatigue and strain. While these circumstances certainly don't aid this effort, they likewise do not lessen the few bright moments that exist, including the languid and soulful
"Slow Rivers"
featuring a duet with
Cliff Richard
, the hopelessly upbeat single
"Heartache All Over the World,"
as well as the middle-of-the-road
"Don't Trust That Woman"
-- the latter of which is a co-composition between
(under the guise of Lady Choc Ice) and
Cher
and sports an opening line of "She's a real ball-buster/Don't trust her." Perhaps the most telling track is the achingly poignant mid-tempo ballad
"I Fall Apart."
With an understated passion and an almost reserved delivery, it hearkens back to tracks such as
"Cry to Heaven"
from
or
"One More Arrow"
off of
. While not really a highlight per se,
Queen
enthusiasts should note appearances from
Roger Taylor
(drums) and
John Deacon
(bass) on the lightweight
"Angeline."
Over the course of the ensuing months,
reinvented himself by once again embracing his past on the two-disc
Live in Australia
(1987) -- which spawned the international chart-topping version of
"Candle in the Wind."
~ Lindsay Planer