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Let Your Hair Down
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Let Your Hair Down
Current price: $15.99
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Barnes and Noble
Let Your Hair Down
Current price: $15.99
Size: CD
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Let Your Hair Down
is a follow-up to
Steve Miller
's
Bingo!
from 2010, and the tracks for this new release were recorded at the same sessions at
George Lucas
'
Skywalker Ranch
studio with
Andy Johns
engineering and co-producing, and like
,
finds
Miller
re-exploring his Chicago blues roots.
and his band have always included a few old blues numbers in their concerts, so these are road-tested gems that are obviously close to
's heart and soul, and they include the last recordings of
's longtime collaborator (and harmonica whiz)
Norton Buffalo
, who died of lung cancer in 2009 shortly after these sessions.
has always had the ability to adapt blues forms into his pop work, but this outing, like
, is a full-fledged blues record, not a pop one, and fans of his classic rock should be aware that
, although his lead guitar work is everywhere here, doesn't do all of the singing, with
Sonny Charles
and others handling lead vocals on some of the cuts. That said,
feels like a more realized snapshot of
's blues adaptations than even the highly admired
was, and although it's difficult to imagine the blues being exactly joyous, there is a passionate joy in these time-tested grooves, and it's obvious both of these albums have been a labor of love for
and his band.
doesn't pop-style these cuts up, either -- this is the blues as he sees it, and thankfully he's as sly and charming as ever here. Highlights include a delightfully tense version of
Muddy Waters
"Can't Be Satisfied,"
a grooved-out take on
Rosco Gordon
"Just a Little Bit,"
a
Jimmy Reed
cover,
"Close Together,"
fine takes on
Willie Dixon
"Pretty Thing"
and
"Love the Life I Live,"
and a visit to
Robert Johnson
territory with
"Sweet Home Chicago."
The next obvious step would be for someone to package
together in a single package, because both albums work as complementary bookends. ~ Steve Leggett
is a follow-up to
Steve Miller
's
Bingo!
from 2010, and the tracks for this new release were recorded at the same sessions at
George Lucas
'
Skywalker Ranch
studio with
Andy Johns
engineering and co-producing, and like
,
finds
Miller
re-exploring his Chicago blues roots.
and his band have always included a few old blues numbers in their concerts, so these are road-tested gems that are obviously close to
's heart and soul, and they include the last recordings of
's longtime collaborator (and harmonica whiz)
Norton Buffalo
, who died of lung cancer in 2009 shortly after these sessions.
has always had the ability to adapt blues forms into his pop work, but this outing, like
, is a full-fledged blues record, not a pop one, and fans of his classic rock should be aware that
, although his lead guitar work is everywhere here, doesn't do all of the singing, with
Sonny Charles
and others handling lead vocals on some of the cuts. That said,
feels like a more realized snapshot of
's blues adaptations than even the highly admired
was, and although it's difficult to imagine the blues being exactly joyous, there is a passionate joy in these time-tested grooves, and it's obvious both of these albums have been a labor of love for
and his band.
doesn't pop-style these cuts up, either -- this is the blues as he sees it, and thankfully he's as sly and charming as ever here. Highlights include a delightfully tense version of
Muddy Waters
"Can't Be Satisfied,"
a grooved-out take on
Rosco Gordon
"Just a Little Bit,"
a
Jimmy Reed
cover,
"Close Together,"
fine takes on
Willie Dixon
"Pretty Thing"
and
"Love the Life I Live,"
and a visit to
Robert Johnson
territory with
"Sweet Home Chicago."
The next obvious step would be for someone to package
together in a single package, because both albums work as complementary bookends. ~ Steve Leggett