With her haunting solo debut
Little Earthquakes
,
Tori Amos
carved the template for the female
singer/songwriter
movement of the '90s.
Amos
' delicate,
prog rock
piano work and confessional, poetically quirky lyrics invited close emotional connection, giving her a fanatical cult following and setting the stage for the
Lilith Fair
legions. But
is no mere style-setter or feminine stereotype -- its intimacy is uncompromising, intense, and often far from comforting.
' musings on major personal issues -- religion, relationships, gender, childhood -- were just as likely to encompass rage, sarcasm, and defiant independence as pain or tenderness; sometimes, it all happened in the same song. The apex of that intimacy is the harrowing
"Me and a Gun,"
where
strips away all the music, save for her own voice, and confronts the listener with the story of her own real-life rape; the free-associative lyrics come off as a heart-wrenching attempt to block out the ordeal.
isn't always so stomach-churning, but it never seems less than deeply cathartic; it's the sound of a young woman (like the protagonist of
"Silent All These Years"
) finally learning to use her own voice -- sort of the musical equivalent of
Mary Pipher
's
Reviving Ophelia
. That's why
draws strength from her relentless vulnerability, and that's why the constantly shifting emotions of the material never seem illogical --
simply delights in the frankness of her own responses, whatever they might be. Though her subsequent albums were often very strong,
would never bare her soul quite so directly (or comprehensibly) as she did here, nor with such consistently focused results.
is the most accessible work in
' catalog, and it's also the most influential and rewarding. ~ Steve Huey