The albums are coming more slowly for as he enters into the home stretch of his impressive and influential songwriting career. This arrives nearly a decade after his previous studio collection, and that one was 11 years in the making. In fact, this is only 's fourth album since 1981. Additionally, a few of these tunes have been hanging around for a while, with the exquisite already a hit for and covered by back in 1994. Add three more covers to the dozen-song set and it seems like has all but retired from the profession. Regardless, this is a low-key gem as the singer calls on for assistance, once again, to construct songs that blur the lines between classic American pop, folk, bluegrass, R&B, country, and the singer/songwriter fare is best known for. These arrangements and tunes recall the work of in their easy-flowing melancholy and moving simplicity. The connection to smooth '60s soul is cemented by 's shimmering version of 's but any of his newly penned songs could have sprung from another era. The predominantly unplugged and stripped-down accompaniment lets 's sympathetic tenor voice lead the way as he winds through the Cajun-styled balladry of and the classic pop of the latter sounding as if it could have come from the songbook but is a new composition. He brings hometown Memphis grease to the sexually charged yet charming helped immensely by ' slinky lap steel work. The music is beautifully crafted yet never seems overly calculated, as and his band blend together as if they have been playing this material for years. His output may be far more sporadic than in the '70s, but the sublime quality of his material and his obvious love of recording hasn't suffered for it. ~ Hal Horowitz