Kid Cudi
is a fascinating rapper, claimed by the backpackers for his work with
Kanye West
on
808s & Heartbreak
but equally loved by the mash-up club kids who went ape for his
"Day N Nite"
single, especially in its nu-disco remix from
Crookers
. His debut album was deep in the category of "much anticipated" as soon as it was announced, but when the promised game changer finally arrived, it became obvious that
Cudi
had already changed the game, and maybe debut albums aren't what they used to be. With its narration from
Common
and a track list broken into five "acts,"
Man on the Moon: The End of Day
is almost as conceptual as its name implies, kicking off with a spaced-out slow roller coated in strings while
states "Welcome, you're in my dream now." You most certainly are. What follows is
Pink Floyd
-styled story where the real world pain of
"Soundtrack 2 My Life"
mutates into sci-fi fantasies from the dark side of the moon. Along the way, brilliant samples -- like a bit of
OMD
's esoteric album
Dazzle Ships
-- and innovative sounds from
and special guests
Emile
,
Ratatat
, and
MGMT
slowly shuffle the listener through the man's spliff-fueled exploration of space, a place where the artsy escape ridicule but fall prey to crushing isolation. With its bleeps, the hooky
belongs, but the follow-up single,
"Make Her Say,"
is a glorious mix of glitz and vulgarity with
Kanye
and
twisting a
Lady GaGa
sample from
"Poker Face"
into
"Poke Her Face."
While it lightens the mood just before things turn ponderous, it barely fits. If it wasn't for the song, it would be as if
launched his career with his own
808s
, and therefore anyone looking for a more gripping kickoff should seek out either of his widely available mixtapes (
A Kid Named Cudi
or
Dat Kid from Cleveland
). This first official release is a soul searcher and may require more patience than your everyday debut. Still, the chilly, complicated
Man on the Moon
perfects the futuristic bleak-beat hip-hop
purposed a year earlier, and rewards the listener with every tripped-out return. ~ David Jeffries