By
Meltdown
,
Ash
were establishing a pattern: each odd-numbered album has been a difficult, rockier affair, while each even-numbered album showed off their sublimely poppy side. So this being their fifth record, it's easy to guess where
falls -- and if you still hadn't figured it out, just check out the faux-
metal
cover art! Fans of the unexpectedly great comeback
Free All Angels
might be worried that this is a return to the minor stumble that was the dark and difficult
Nu-Clear Sounds
-- the last "
rock
" album -- but thankfully
bursts with the hooks and little musical flourishes that have made the more mature
records such a treat, and has little of the meandering malaise that marred
. Lead single
"Orpheus"
sets the tone -- while the verses rage with '70s
-derived licks, the choruses burst with one of the sunniest and catchiest tunes that
Tim Wheeler
and company have ever committed to tape. So while
"Clones"
and the awkwardly political title track rage as hard as anything they've ever recorded -- and admittedly sound a bit more
AC/DC
than
Undertones
-- there's plenty of good songwriting, like on the sweet (really)
"Evil Eye,"
the staccato guitar work on the verses of
"Renegade Cavalcade,"
or the honest-to-goodness string-laden power ballad
"Starcrossed."
The real shame is that
Kinetic Records
went broke just before the album was to be released, again robbing the U.S. of a timely release. But
's quality justifies a hefty import price tag: it's a surprisingly strong and assured record, the kind that -- while not the highest point of the band's catalog -- will help shore up their building legacy as one of the most consistent bands to emerge from the British Isles in the '90s. ~ Jason Damas