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More Than You Think Are
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More Than You Think Are
Current price: $10.99
Barnes and Noble
More Than You Think Are
Current price: $10.99
Size: CD
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The best proof that
Matchbox Twenty
is not the
Rob Thomas
project? Their third album,
More Than You Think You Are
. If this was simply the work of
Thomas
, this album would likely be more like their very fine second album, a savvy mainstream
pop
record that casually displayed his songwriting skills and was casually eclectic. This? This sounds like the effort of a band who not only wants to rock again, but feels compelled to rock again, to prove that they are indeed a band. Perhaps this would have worked if they had either a strong set of songs or a sinewy, persuasive production. They have neither. The songs lack hooks, as if melody would be too commercial, while the production has its sights on the radio, resulting in tuneless songs that are polished for mainstream consumption. It's a weird miscalculation, a regression to the faceless post-
alternative rock
of their debut. It's a shame, really -- as the years since
Yourself or Someone Like You
have proven, no matter how disparaged they were in 1996, they did this post-
alternative
mainstream
rock
thing better than many bands, because they didn't hesitate to embrace the mainstream. Here, they try for credibility and lose the very things that proved their strengths in the past. ~ Stephen Thomas Erlewine
Matchbox Twenty
is not the
Rob Thomas
project? Their third album,
More Than You Think You Are
. If this was simply the work of
Thomas
, this album would likely be more like their very fine second album, a savvy mainstream
pop
record that casually displayed his songwriting skills and was casually eclectic. This? This sounds like the effort of a band who not only wants to rock again, but feels compelled to rock again, to prove that they are indeed a band. Perhaps this would have worked if they had either a strong set of songs or a sinewy, persuasive production. They have neither. The songs lack hooks, as if melody would be too commercial, while the production has its sights on the radio, resulting in tuneless songs that are polished for mainstream consumption. It's a weird miscalculation, a regression to the faceless post-
alternative rock
of their debut. It's a shame, really -- as the years since
Yourself or Someone Like You
have proven, no matter how disparaged they were in 1996, they did this post-
alternative
mainstream
rock
thing better than many bands, because they didn't hesitate to embrace the mainstream. Here, they try for credibility and lose the very things that proved their strengths in the past. ~ Stephen Thomas Erlewine