The first volume of
Bridge
's
Music of Harry Partch
consists of a reading of his Depression-era journal and fragmentary pieces he wrote while traveling up and down the west coast of the United States, living as a hobo. During 1935 and early 1936,
Partch
kept a diary he called
Bitter Music
, which included drawings and musical sketches about the people and songs he heard around him. Over time, the book was destroyed, though it was preserved on microfilm; some of
's drawings and musical ideas are presented in the booklet included with this three-CD set by the
PARTCH
ensemble. The text is read by
John Schneider
, and
Garry Eister
provides the vocals and piano for the pieces that appeared in the diary or were referred to in its pages. This is a prodigious amount of material for listeners to get through, since most of the tracks are spoken word, and the musical snippets are intermittent and easy to miss because of their brevity. Students of
's music will recognize certain idiosyncrasies of melody and the colloquial delivery that informed later pieces, such as
Barstow
and
U.S. Highball
, though little here anticipates the novel tunings, instrumentation, and techniques of his mature works. Instead, this is a revelation of
's life as a transient, and day-to-day concerns dominate his entries. The last track on the third disc is a short recording of
's voice, briefly recounting the origins of
.