The third album from pianist
Amy Stephens
shows off a noteworthy maturity in composition. While portions of the album rest in somewhat stereotypical nightclub-style balladry, the majority of the works are in a highly structured modern
jazz
vein.
Stephens
suggests
Keith Jarrett
on the keys from time to time, with some dexterous moves inspired it would seem by
classical
training (there are hints of
third stream
embedded in some of the compositions as well). In other parts, the pace picks up for something akin to a
Vince Guaraldi
number, thumping bass keys all a-flutter. The rest of her quartet works admirably.
Jack Helsley
stretches each note out of the bass as though there were a limited supply, adding a pensive effect to the music.
Tom Clark
is a standout on the soprano sax in both solos and the basic melodic lines.
Kenny Phelps
holds up the rhythm admirably, keeping time and tone but seeming almost out of the picture until absolutely needed for something dramatic. The performances are all tight, but the composition is the star on this one. Give it a listen for the delicate mix of old and new hidden in the works. ~ Adam Greenberg